484

Another scanned version of Whitby Abbey on a grey drizzly day.
This is using the Colour Neg as Input:Media, and Ilford XP2 in Colour:Negative Brand.
Thank you Andrea, it looks a bit more controlled.
I haven't found that blurrifier yet though.
FP4 at 200, 35mm Summicron. September 2013.
© John Banting 2013.

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483

Whitby Abbey on a grey drizzly day.
Please excuse me while I try to get to grips with Vuescan.
FP4 at 200, 35mm Summicron. September 2013.
© John Banting 2013.

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482

Getting ready for winter.
However, some people have to do a lot more than stack a few logs. See this nice image of "Hectors peats".
Digital, 50mm Summilux. October 2013.
© John Banting 2013.

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481

Near Fairbourne, North Wales.
Two notice boards, one sheep and a shoe.
Digital, 50mm Summilux. May 2013.
© John Banting 2013.

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480

An old sewing machine.
Stored in a farm building which will probably be converted into another holiday cottage in North Wales.
Digital, 28mm Summicron. May 2013.
© John Banting 2013.

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479

Oxford Circus Tube Station, Bakerloo Line Southbound platform, London.
Well, it cannot be too bad when you can walk onto a crowded undergound station platform and find yourself standing in front of a Tony Ray-Jones image.
Digital, 50mm Summilux. October 2013.
© John Banting 2013, but Tony Ray-Jones for the poster image.

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for some reason I can't get the Viv Stanshall song "Terry Keeps His Clips On" out of my head...

478

Programme seller at the Natural History Museum, London.
He had kept the queue entertained with his strong Welsh accent as we waited for the doors to open. He was still working hard a couple of hours later when we left, but the voice was struggling a bit.
We had been to see the Salgado Genesis exhibition, which was splendid.
Digital, 50mm Summilux. September 2013.
© John Banting 2013.

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