830

It's all you need. The same man also said nothing is real - which applies to this image.
It has been flipped, cropped, saturated, desaturated.....
Happy 2020 in case I don't get another post done before the end of the decade.
Digital, Q/28mm Summilux. October 2019.
Image © John Banting
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829

A lady asleep sitting on the floor of Great Court, British Museum.
35mm Summicron, Ilford HP5 in ID-11. July 2002
Image © John Banting
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828

Another image from my recently found negatives from a 2001 workshop at Duckspool.
Scratched and dust covered C-41 B&W film processed at a local lab, now tidied up in P/shop.
35mm Summicron, Ilford XP2. Taunton, May 2001
Image © John Banting
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827

Recently found negatives from a 2001 workshop at Duckspool.
We used C-41 B&W film processed at a local lab.
Unfortunately the films were returned very scratched and dust covered.
Now, thanks to P/shop something is recoverable.   
35mm Summicron, Ilford XP2. Taunton, May 2001
Image © John Banting
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826

The black water of the Blackwater Estuary.
Digital, 28mm f1.7 Summilux. November 2019.
Image © John Banting 2019
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825

The Soldier Silhouettes are being removed from the Strood very soon to raise money for charities.
Digital, Nikkor (APS zoom at about 40mm equivalent). November 2019.
Image © John Banting 2019
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824

Another colour image. Looking south east across the estuary as the sun sets.
Digital, 35mm Zeiss Sonnar. November 2019.
Image © John Banting 2019
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823

A colour image. The sun starts to break through the mist late yesterday morning.
The view across the Blackwater Estuary towards Bradwell.
Digital, DC Vario Summilux. November 2019.
Image © John Banting 2019
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822

High tide at The Hard.
M6, 35mm Summicron, Ilford FP4 at 200. DD-X 1:4. Mersea Island, October 2019.
Image © John Banting 2019
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821

From a short walk late this afternoon.
Digital. DC Vario-Summilux at 24mm equivalent. Mersea Island, October 2019.
Image © John Banting 2019
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820

Paddling along Coast Road and lost in conversation during a high tide earlier this month.
M6, 90mm. Ilford FP4 at 200. Mersea Island, October 2019.
Image © John Banting 2019
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819

Regatta day, back in August. The crowd watching the boats, but I was watching the clouds.
Digital. 28mm. Mersea Island, August 2019.

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818

Another image from the high tides of last week. Coast Road is in the foreground under water.

Digital. 35mm. Mersea Island, October 2019.

Image © John Banting 2019.

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817

A dog walker has a glass of Guinness in the sunshine in the Coast Inn car park a short while after the afternoon high tide has turned.

Digital. 35mm. Mersea Island, October 2019.

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816

Dogs and photographers watch the high tide today along Coast Road.

Digital. 35mm Summicron. Mersea Island, September 2019.

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815

Another view through a longer lens and in support of wires (and posts) in photographs. 

Ilford FP4 at 200, DD-X 1:4. Mersea Island, September 2019.

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814

The view through a longer lens than I am used to - an older 105mm Nikkor complete with some fungus. Fortunately that's not visible at this image size.
Ilford FP4 at 200, DD-X 1:4. Mersea Island, September 2019.

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813

A black painted shelter photographed at dusk on a dull and drizzly evening. Nobody around.
Digital. 35mm Summilux. Mersea Island, September 2019.

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812

The sign does say that everything is going to be alright. So that's good..
Digital. Q 28mm Summilux. Tate Modern, August 2019.

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811

Tree and sea wall, Mersea Island. 
Digital. Q 28mm Summilux. August 2019.

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810

Clouds over the Regatta, but no rain. 
Digital. Q 28mm Summilux. Mersea Island, August 2019.

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809

A smack on moorings at low tide. Besom Fleet, Blackwater Estuary.
Digital. 35mm Summilux. August 2019.

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808

Low tide on a cloudy day, Besom Fleet, Blackwater Estuary.
Digital. 35mm Summilux. August 2019.

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807

The card trick.
Digital. Q 28mm Summilux. July 2019.

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806

The blue houseboat behind some reeds.
Ilford HP5 at 400 in DD-X. 35mm Summicron. March 2019.

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805

Sea defences on the Blackwater estuary at Jaywick.
Ilford HP5 at 400 in DD-X. 35mm Summicron. January 2019.

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804

The camera used by Stanley Kubrick with a Zeiss f0.7 lens.
Digital, Q/Summilux 28mm. The Design Museum, London. June 2019.

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803

I went on a journey recently.
Yes, I can recommend the Stanley Kubrick exhibition at the Design Museum, London where I snapped this scene from 2001. Sorry, if you now have The Blue Danube Waltz playing in your head.
Digital, Q/Summilux 28mm. London. June 2019.

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802

A gallery attendant and the artwork being attended.
Digital, DC Vario Summilux at about 50mm. South Bank, London. March 2019.
© John Banting

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801

A last image from a visit to the Giant's Causeway, demonstrating that we are all photographers now.
I think this is three members of the same family group all photographing the same scene on their own mobile phone cameras.
Digital, 35mm Summicron. Nr Bushmills, Co. Antrim. May 2019.
© John Banting

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800

Another image from a visit to the Giant's Causeway, along with several hundred other visitors.
Digital, 35mm Summicron. Nr Bushmills, Co. Antrim. May 2019.
© John Banting

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799

A visit to the Giant's Causeway, (a UNESCO Heritage Site), along with several hundred other visitors.
Digital, 35mm Summicron. Nr Bushmills, Co. Antrim. May 2019.
© John Banting

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798

Pipe tuning being checked at a Royal Scottish Pipe Band Association competition in Enniskillen.
Digital, 35mm Summicron. Enniskillen, Co. Fermanagh. May 2019.
© John Banting

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797

Pimlico tube station.
35mm Summicron. Ilford HP5 at 400 in DD-X. April 2019.
© John Banting

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796

Some visitors at The Asset Strippers exhibit at Tate Britain.
35mm Summicron. Ilford HP5 at 400 in DD-X. April 2019.
© John Banting

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795

Working boat CK15 in for some maintenance work.
35mm Summicron. Ilford HP5 at 400 in DD-X. April 2019.
© John Banting

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794

The fishermen's hut at The Hard, West Mersea.
35mm Summicron. Ilford HP5 at 400 in DD-X. April 2019.
© John Banting

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793

On the right is my old school friend adding a few more items to his LP collection, many of which he has bought from Grandpas Basement in Shipley.
© John Banting

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792

Pink Floyd tribute band RE|FLOYD played at the MICA yesterday. Splendid.
Digital image. DC Vario-Summilux at 70mm. Mersea Island, March 2019.
© John Banting

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791

A digital snap of a darkroom 10x8 print on Ilford MG4. Original image on Ilford HP5 which I must have scratched when bulk loading some cassettes back in 2014. Brighton, October 2014.
© John Banting

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790

This building on the land adjacent to a boatyard has now gone and a new structure is underway. I took this snap in early February. I wish I had been there to see it pulled down.

Ilford HP5 at 400 processed in Ilford DD-X. 35mm Summicron. Coast Road, West Mersea, February 2019.

© John Banting

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789

Looking towards Coast Road.

Ilford HP5 at 400. DD-X. 35mm Summicron. Mersea Island, March 2019.
© John Banting

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788

The sunset through a perspex silhouette on a bench along Coast Road looking out over the estuary.

Digital. 50mm Summilux. Mersea Island, February 2019.
© John Banting

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787

Dear You at Boxes and Bellows
I recently went into a darkroom and made a couple of 10x8 prints - the first time for me this century!
Loved it and can't wait to go back and play some more.

iPhone5 of print. HP5 at 400, 35mm Summicron for image taken in April 2018.
© John Banting

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786

It was actually a pleasant afternoon with just a few dark clouds, but exposing for the sunlight really creates a very different scene.

Digital, Q,28mm Summilux. February 2019.
© John Banting 2019.

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785

An image from a New Year's Day walk along the sea wall footpath.

Digital, 35mm Summilux. Jaywick. January 2019.
© John Banting 2019.

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784

Quite suddenly this morning a heavy mist descended.
A few minutes later it had cleared.

Digital, 50mm Summilux. Mersea Island. January 2019.
© John Banting 2019.

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783

This is the photograph I had just taken before dropping the lens cap, accidentally creating the previous post's image.
It was cold. 

Digital, 50mm Summilux. Mersea Island. January 2019.
© John Banting 2019.

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782

Oops. According to the EXIF a 4 second exposure. Quite nice in colour as well.
I didn't know I had made this image until I got home. I think it was when I was picking up the lens cap I had dropped.
Digital, 50mm Summilux. January 2019.
© John Banting 2019.

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