636

A fishing boat heads out at high tide, Mersea Island.
M6, Ilford FP4 at 200. Microphen 1+3. March 2016.
© John Banting 2016.

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635

Visitors listening to a guide in the Accademia Gallery, Florence.
Digital, DC Vario Summilux. Florence, February 2016.
© John Banting 2016.

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634

Plaster casts and visitors in the hall of models within the Accademia Gallery.
Digital, DC Vario Summilux at 35mm. Florence, February 2016.
© John Banting 2016.

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633

Somebody taking their dog for a paddle along Coast Road during the high tide on Wednesday afternoon.
Digital, DC Vario Summilux at 28mm. Mersea Island, February 2016.
© John Banting 2016.

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632

Looking along Coast Road into the sunlight.
Digital, DC Vario Summilux at 35mm. Mersea Island, February 2016.
© John Banting 2016.

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631

For those of you in the north of the UK who are looking for Storm Imogen, it's down here if you want
to come and get it. This photograph was at the time of the approaching Storm Henry.
Digital, 28mm Summicron. Mersea Island, February 2016.
© John Banting 2016.

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630

Looking towards Packing Shed Island on a murky January evening.
Ilford HP5+ at 800. Microphen 1+1. 90mm Tele Elmarit-M. Mersea Island, January 2016.
© John Banting 2016.

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629

A film version of the cottage previously photographed with a more co-operative sky.
Ilford HP5+ at 800. Microphen 1+1. 35mm Summicron. January 2016.
© John Banting 2016.

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628

I was going to process a roll of film today, but noticed that the Microphen seems to have some floaters in it.
It was mixed mid December and this bottle has remained unopened, so I am now waiting for a delivery from AG Photographic.
Meanwhile here is another d*****l image from December.
Digital, 90mm Tele-Elmarit_M. West Mersea, December 2015.
© John Banting 2015.

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627

A cottage on Coast Road at nightfall.
None of the earth's silver resources have been used to present this image, as far as I know.
(However, I do plan on using some of them soon).
Digital, 28mm Summicron. West Mersea, January 2016.
© John Banting 2016.

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626

Connections.
None of the earth's silver resources have been used to present this image, as far as I know.
(However, I do plan on using some of them again soon).
Digital, 90mm Tele-Elmarit-M. West Mersea, January 2016.
© John Banting 2016.

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625

Late afternoon sunlight on the houseboat.
None of the earth's silver resources have been used to present this image, as far as I know.
Digital, 90mm Tele-Elmarit-M. West Mersea, January 2016.
© John Banting 2016.

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624

The Art Cafe has just closed for the evening and the staff begin the clear up.
Digital, 50mm Summilux. West Mersea, December 2015.
© John Banting 2015.

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623

A few of the participants in The Boxing Day swim on Mersea Island. (I'm catching up...)
We spectators outnumbered the brave swimmers by probably 100:1, unlike .. here. .
Digital, 90mm Tele Elmarit - M. 26th December 2015.
© John Banting 2015.

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622

In costume and ready for the Boxing Day swim on Mersea Island.
Digital, 90mm Tele Elmarit - M. December 2015.
© John Banting 2015.

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621

Looking into the setting sun. Mersea Island, near the houseboats.
M6, 35mm Summicron, Ilford FP4 at 160, Microphen 1 + 1. December 2015.
© John Banting 2015.

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620

A Beach hut doorway on a dull, December afternoon in Essex.
Nikon FM2, 50mm f1.4 (Ai). HP5+ at 800, Microphen 1 + 1. December 2015.
© John Banting 2015.

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619

Low tide at Mersea Island. A view towards the estuary at sunset.
Digital, 50mm Summilux wide open. ISO 1000 @ 1/15th, handheld. December 2015.
© John Banting 2015.

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618

Yes, I know what you mean. .
This is a sunset over the Blackwater estuary on a late November afternoon being photographed so we don't forget what they look like, I expect.
I also prefer R3. I listen to repeats of Late Junction in the afternoons, and hope to have some of this music to play on 25th December.
M6, 35mm Summicron, Ilford HP5+ at 640, ID-11 1+1. November 2015.
© John Banting 2015.

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617

It was time to read the paper and have a cup of tea.
M6, 35mm Summicron, Ilford HP5+ at 640, ID-11 1+1. November 2015.
© John Banting 2015.

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