484

Another scanned version of Whitby Abbey on a grey drizzly day.
This is using the Colour Neg as Input:Media, and Ilford XP2 in Colour:Negative Brand.
Thank you Andrea, it looks a bit more controlled.
I haven't found that blurrifier yet though.
FP4 at 200, 35mm Summicron. September 2013.
© John Banting 2013.

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483

Whitby Abbey on a grey drizzly day.
Please excuse me while I try to get to grips with Vuescan.
FP4 at 200, 35mm Summicron. September 2013.
© John Banting 2013.

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482

Getting ready for winter.
However, some people have to do a lot more than stack a few logs. See this nice image of "Hectors peats".
Digital, 50mm Summilux. October 2013.
© John Banting 2013.

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481

Near Fairbourne, North Wales.
Two notice boards, one sheep and a shoe.
Digital, 50mm Summilux. May 2013.
© John Banting 2013.

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480

An old sewing machine.
Stored in a farm building which will probably be converted into another holiday cottage in North Wales.
Digital, 28mm Summicron. May 2013.
© John Banting 2013.

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479

Oxford Circus Tube Station, Bakerloo Line Southbound platform, London.
Well, it cannot be too bad when you can walk onto a crowded undergound station platform and find yourself standing in front of a Tony Ray-Jones image.
Digital, 50mm Summilux. October 2013.
© John Banting 2013, but Tony Ray-Jones for the poster image.

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for some reason I can't get the Viv Stanshall song "Terry Keeps His Clips On" out of my head...

478

Programme seller at the Natural History Museum, London.
He had kept the queue entertained with his strong Welsh accent as we waited for the doors to open. He was still working hard a couple of hours later when we left, but the voice was struggling a bit.
We had been to see the Salgado Genesis exhibition, which was splendid.
Digital, 50mm Summilux. September 2013.
© John Banting 2013.

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477

Staithes, North Yorkshire.
Digital, 28mm Summicron. September 2013.
© John Banting 2013.

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476

The glorious landscape of North Yorkshire.
Digital, 50mm Summilux. September 2013.
© John Banting 2013.

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475

A copse near Hawes, North Yorkshire.
Some photographers don't do landscapes.
Digital, Leica Pin Hole 90mm Tele-Elmarit. September 2013.
© John Banting 2013.

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474

A wet Wednesday afternoon at Whitby Abbey.
Digital, 28mm Summicron. September 2013.
© John Banting 2013.

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473

The trouble with choosing wool is getting just the right shade of grey.
Digital, 50mm Summilux. London, September 2013.
© John Banting 2013.

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472

A street lamp under an archway catching the low sun.
Tri-X, D76 1+1, 35mm Summicron. September 2013.
© John Banting 2013.

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471

The season of mist and mouldy fruitbowl stuff. Or something poetic like that.
And a colour image as well. Digital, 90mm Tele-Elmarit M. September 2013.
© John Banting 2013.

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470

Walking back after looking at some contact sheets and musical memorabilia from the 1960s in the Stables Gallery, Twickenham exhibition "The Birth of Rhythm and Blues" we came across this wedding party. The suit on the right just seemed appropriate.
Ilford Delta 100 (at 200), D76 1+1. M6, 35mm Summicron. August 2013.
© John Banting 2013.

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469

A wet August day on Mersea Island. Trays of oysters being stacked, probably to be enjoyed by visitors to the Mersea Oyster Bar. Tri X, D76 1+1. M6, 35mm Summicron. August 2013.
© John Banting 2013.

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468

Enjoying ice cream on a hot day by the Thames, looking towards Eel Pie Island.
Ilford Delta 100 exposed at 200. D76. M6, 35mm Summicron. August 2013.
© John Banting 2013.

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467

Look! A Zorki 4 and a Voigtlander Perkeo, all loaded with film and ready to go. Not the kind of cameras used by so many people these days, but these actual items are responsible for many a fine image over at Boxes and Bellows, with the help of Andrea, of course, who we were lucky enough to meet recently, together with Eve. Please go along and enjoy the trip.
Digital, 28mm Summicron. August 2013.
© John Banting 2013.

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466

Waiting for the firework display to start to bring the 2012 Mersea Island Regatta to a close.
Digital, 28mm Summicron. August 2012.
© John Banting 2012.

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465

An M8 file from 2007. As I might have said before, I never really enjoyed using this camera because it felt nothing like a proper M. To me, the shutter sounded like a ball bearing dropping into a tin can.
Digital, 35mm Summicron.
© John Banting 2013.

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