646

The setting sun just catching the tops of the grasses. Some lens flare was inevitable.
West Mersea.
M6, 35mm Summicron, HP5+ in DD-X 1+4.Early April 2016.
© John Banting 2016.

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645

The Art Cafe window at night - a black and white version. Mmm, that's better.
West Mersea.
Digital, 50mm Summilux. April 2016.
© John Banting 2016.

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644

The Art Cafe window at night.
West Mersea.
Digital, 50mm Summilux. April 2016.
© John Banting 2016.

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643

Clouds during the last few hours of Storm Katie.
Looking from Mersea Island towards Tollesbury.
M6, 35mm Summicron, Ilford HP5 at 800 in Microphen 1+1. March 2016.
© John Banting 2016.

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642

A snap from April 1976 when I was attending the first workshop held at The Photographer's Place run by Paul Hill.
I have recently started to scan some of my old films because they seem to be fading fast.
Ilford FP4 at 200 asa in D-76. Minolta SRT303 with a Rokkor lens.
© John Banting 1976.

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641

The Blackwater Estuary.
Digital, 90mm Tele-Elmarit-M. Mersea Island, March 2016.
© John Banting 2016.

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640

High water along the Coast Road earlier this month.
M6, Ilford FP4 at 200, Microphen 1+3. Mersea Island, March 2016.
© John Banting 2016.

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639

A viewer's hands at an exhibition of photographs.
iPhone5, London, March 2016.
© John Banting 2016.

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638

A very red car. I waited for a short while but nobody wearing a red coat walked by.
(I had been to see the Vogue 100 and Saul Leiter exhibitions earlier in the day, so I'll blame that for the splash of colour).
Digital, DC Vario Summilux at 50mm, (probably). Southbank, London, March 2016.
© John Banting 2016.

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637

A couple walking their dogs on the boardwalk at high tide.
Digital, DC Vario Summilux at 70mm. Mersea Island, March 2016.
© John Banting 2016.

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636

A fishing boat heads out at high tide, Mersea Island.
M6, Ilford FP4 at 200. Microphen 1+3. March 2016.
© John Banting 2016.

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635

Visitors listening to a guide in the Accademia Gallery, Florence.
Digital, DC Vario Summilux. Florence, February 2016.
© John Banting 2016.

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634

Plaster casts and visitors in the hall of models within the Accademia Gallery.
Digital, DC Vario Summilux at 35mm. Florence, February 2016.
© John Banting 2016.

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633

Somebody taking their dog for a paddle along Coast Road during the high tide on Wednesday afternoon.
Digital, DC Vario Summilux at 28mm. Mersea Island, February 2016.
© John Banting 2016.

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632

Looking along Coast Road into the sunlight.
Digital, DC Vario Summilux at 35mm. Mersea Island, February 2016.
© John Banting 2016.

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631

For those of you in the north of the UK who are looking for Storm Imogen, it's down here if you want
to come and get it. This photograph was at the time of the approaching Storm Henry.
Digital, 28mm Summicron. Mersea Island, February 2016.
© John Banting 2016.

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630

Looking towards Packing Shed Island on a murky January evening.
Ilford HP5+ at 800. Microphen 1+1. 90mm Tele Elmarit-M. Mersea Island, January 2016.
© John Banting 2016.

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629

A film version of the cottage previously photographed with a more co-operative sky.
Ilford HP5+ at 800. Microphen 1+1. 35mm Summicron. January 2016.
© John Banting 2016.

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628

I was going to process a roll of film today, but noticed that the Microphen seems to have some floaters in it.
It was mixed mid December and this bottle has remained unopened, so I am now waiting for a delivery from AG Photographic.
Meanwhile here is another d*****l image from December.
Digital, 90mm Tele-Elmarit_M. West Mersea, December 2015.
© John Banting 2015.

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627

A cottage on Coast Road at nightfall.
None of the earth's silver resources have been used to present this image, as far as I know.
(However, I do plan on using some of them soon).
Digital, 28mm Summicron. West Mersea, January 2016.
© John Banting 2016.

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