673

Looking across the Blackwater estuary towards Bradwell at high tide and just after sunset today.
Digital at 1600 iso, 35mm Summilux. November 2016.
© John Banting 2016.

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672

Three visitors relax in the installation at Tate Modern of Liquid Crystal by Gustav Metzger.
Originally made in 1965 and re-created later with computer control. Far out.

Digital P&S. Summilux at approx 35mm equivalent. June 2016.
© John Banting 2016.

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671

Oyster Smack CK159 Dorothy on a mooring. Mersea Island. April 2016.
M6, 35mm Summicron. Ilford HP5+ at 400. Ilford DD-X 1+4.
© John Banting 2016.

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670

Two people watching the sunset.
M6, 35mm Summicron. Ilford HP5+ at 400. Microphen 1+1. Mersea Island. October 2016.
© John Banting 2016.

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669

Three people watching the sunset.
Digital. 50mm Summilux. Mersea Island. October 2016.
© John Banting 2016.

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668

An image from thirteen years ago this month in Kingston upon Thames.
Ilford Delta 3200 at 800 in Perceptol 1+0, 40mm Summicron-C. October 2003.
© John Banting 2003.

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667

A slipway, West Mersea, late in the afternoon in January 2016.
Ilford HP5 at 800 in Microphen 1+1, 35mm Summicron. January 2016.
© John Banting 2016.

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666

Business is slow for the Gondoliers on a misty morning near to the Piazza San Marco, Venice.
Digital, 35mm Summilux. October 2016.
© John Banting 2016.

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665

Another photograph of wooden poles sticking out of the water, but from a different location for a change, which is the reason I could not go to the talk by Martin Parr at  Firstsite
in Colchester last week.
Digital, 35mm Summilux. October 2016.
© John Banting 2016.

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664

There has been an exhibition of Martin Parr's work on at  Firstsite
in Colchester this summer. I have been a few times because there is a lot to see, but unfortunately I won't be able to go to his talk on 29th September.
This photograph is the selection from Common Sense.
Digital, 35mm Summilux. September 2016.
© John Banting 2016.

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663

The vessel  RIIS 1 being watched as it is winched onto a berth at Peter Clarke's Boatyard on yesterday's high tide.
Digital, 50mm Summilux. September 2016.
© John Banting 2016.

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662

The composer Neil Ardley talks to the audience after the last ever performance of Kaleidoscope of Rainbows.
M6, 35mm Summicron. Ilford HP5+ in ID-11 1+1. South Bank, London, April 2002.
© John Banting 2002.

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661

From early summer in 2001. The mirrored ball near to @Bristol.
M6, 35mm Summicron. Tri X in ID-11 1+1. Probably May 2001.
Apologies if this has been posted before.
© John Banting 2001.

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660

A family watching the sunset from the beach.
From a colour Digital file. 28mm Summicron. August 2016.
© John Banting 2016.

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659

From May or June 2000. A lunchtime concert in progress as I passed through The Barbican Centre.
M6, 35 Summicron, HP5 in ID-11 1+1.
© John Banting 2000.

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658

08:50hrs, walking to the office with breakfast in hand. Southwark area.
Digital, DC Vario Summilux. June 2016.
© John Banting 2016.

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657

Punting, Cambridge.
Digital, DC Vario Summilux. July 2016.
© John Banting 2016.

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656

Interacting with the orange carpet wall at Tate Modern. Pixels, but no colour this time.
Digital, 50mm Summilux. July 2016.
© John Banting 2016.

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655

Fishing from Barmouth Bridge.
Digital, 28mm Summicron. July 2016.
© John Banting 2016.

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654

Tate Modern.
Digital, DC Vario Summilux. June 2016.
© John Banting 2016.

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Boxes and Bellows