679

Stillness and a high tide.
Digital. 35mm Summilux. December 2016.
© John Banting 2016.

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678

Beach front housing styles.
Ilford HP5 at 800, Ilford DD-X 1+4. 50mm Summicron R. November 2016.
© John Banting 2016.

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677

Walking down The Lane towards the incoming high tide.
M6, 35mm Summicron, Ilford HP5 at 400, Microphen 1+1. Mersea Island, November 2016.
© John Banting 2016.

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676

A tree and some beach huts illuminated by a street lamp.
Digital, 35mm Summilux. Mersea Island, December 2016.
© John Banting 2016.

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675

The gnomes are left out to sunbathe while the beach huts are being painted.
From a recently finished roll of HP5 film started in the summer.
Summicron R 50mm, Ilford HP5 at 800, processed in DDX at 1 + 4. June 2016.
© John Banting 2016.

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674

No wind and so no waves. Ideal conditions for a paddle boarder I suppose.
From a colour digital file. DC Vario Summilux at 70mm, 640 iso. December 2016.
© John Banting 2016.

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673

Looking across the Blackwater estuary towards Bradwell at high tide and just after sunset today.
Digital at 1600 iso, 35mm Summilux. November 2016.
© John Banting 2016.

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672

Three visitors relax in the installation at Tate Modern of Liquid Crystal by Gustav Metzger.
Originally made in 1965 and re-created later with computer control. Far out.

Digital P&S. Summilux at approx 35mm equivalent. June 2016.
© John Banting 2016.

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671

Oyster Smack CK159 Dorothy on a mooring. Mersea Island. April 2016.
M6, 35mm Summicron. Ilford HP5+ at 400. Ilford DD-X 1+4.
© John Banting 2016.

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670

Two people watching the sunset.
M6, 35mm Summicron. Ilford HP5+ at 400. Microphen 1+1. Mersea Island. October 2016.
© John Banting 2016.

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669

Three people watching the sunset.
Digital. 50mm Summilux. Mersea Island. October 2016.
© John Banting 2016.

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668

An image from thirteen years ago this month in Kingston upon Thames.
Ilford Delta 3200 at 800 in Perceptol 1+0, 40mm Summicron-C. October 2003.
© John Banting 2003.

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667

A slipway, West Mersea, late in the afternoon in January 2016.
Ilford HP5 at 800 in Microphen 1+1, 35mm Summicron. January 2016.
© John Banting 2016.

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666

Business is slow for the Gondoliers on a misty morning near to the Piazza San Marco, Venice.
Digital, 35mm Summilux. October 2016.
© John Banting 2016.

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665

Another photograph of wooden poles sticking out of the water, but from a different location for a change, which is the reason I could not go to the talk by Martin Parr at  Firstsite
in Colchester last week.
Digital, 35mm Summilux. October 2016.
© John Banting 2016.

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664

There has been an exhibition of Martin Parr's work on at  Firstsite
in Colchester this summer. I have been a few times because there is a lot to see, but unfortunately I won't be able to go to his talk on 29th September.
This photograph is the selection from Common Sense.
Digital, 35mm Summilux. September 2016.
© John Banting 2016.

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663

The vessel  RIIS 1 being watched as it is winched onto a berth at Peter Clarke's Boatyard on yesterday's high tide.
Digital, 50mm Summilux. September 2016.
© John Banting 2016.

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662

The composer Neil Ardley talks to the audience after the last ever performance of Kaleidoscope of Rainbows.
M6, 35mm Summicron. Ilford HP5+ in ID-11 1+1. South Bank, London, April 2002.
© John Banting 2002.

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661

From early summer in 2001. The mirrored ball near to @Bristol.
M6, 35mm Summicron. Tri X in ID-11 1+1. Probably May 2001.
Apologies if this has been posted before.
© John Banting 2001.

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660

A family watching the sunset from the beach.
From a colour Digital file. 28mm Summicron. August 2016.
© John Banting 2016.

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