From a short walk late this afternoon.
Digital. DC Vario-Summilux at 24mm equivalent. Mersea Island, October 2019.
Image © John Banting 2019
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28 October, 2019
26 October, 2019
820
Paddling along Coast Road and lost in conversation during a high tide earlier this month.
M6, 90mm. Ilford FP4 at 200. Mersea Island, October 2019.
Image © John Banting 2019
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M6, 90mm. Ilford FP4 at 200. Mersea Island, October 2019.
Image © John Banting 2019
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24 October, 2019
819
Regatta day, back in August. The crowd watching the boats, but I was watching the clouds.
Digital. 28mm. Mersea Island, August 2019.
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Digital. 28mm. Mersea Island, August 2019.
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06 October, 2019
818
Another image from the high tides of last week. Coast Road is in the foreground under water.
Digital. 35mm. Mersea Island, October 2019.
Image © John Banting 2019.
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01 October, 2019
817
A dog walker has a glass of Guinness in the sunshine in the Coast Inn car park a short while after the afternoon high tide has turned.
Digital. 35mm. Mersea Island, October 2019.
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30 September, 2019
816
Dogs and photographers watch the high tide today along Coast Road.
Digital. 35mm Summicron. Mersea Island, September 2019.
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18 September, 2019
815
Another view through a longer lens and in support of wires (and posts) in photographs.
Ilford FP4 at 200, DD-X 1:4. Mersea Island, September 2019.
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13 September, 2019
814
The view through a longer lens than I am used to - an older 105mm Nikkor complete with some fungus. Fortunately that's not visible at this image size.
Ilford FP4 at 200, DD-X 1:4. Mersea Island, September 2019.
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Ilford FP4 at 200, DD-X 1:4. Mersea Island, September 2019.
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10 September, 2019
813
A black painted shelter photographed at dusk on a dull and drizzly evening. Nobody around.
Digital. 35mm Summilux. Mersea Island, September 2019.
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Digital. 35mm Summilux. Mersea Island, September 2019.
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05 September, 2019
812
The sign does say that everything is going to be alright. So that's good..
Digital. Q 28mm Summilux. Tate Modern, August 2019.
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Digital. Q 28mm Summilux. Tate Modern, August 2019.
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03 September, 2019
811
Tree and sea wall, Mersea Island.
Digital. Q 28mm Summilux. August 2019.
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Digital. Q 28mm Summilux. August 2019.
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22 August, 2019
810
Digital. Q 28mm Summilux. Mersea Island, August 2019.
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13 August, 2019
809
A smack on moorings at low tide. Besom Fleet, Blackwater Estuary.
Digital. 35mm Summilux. August 2019.
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Digital. 35mm Summilux. August 2019.
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05 August, 2019
808
Low tide on a cloudy day, Besom Fleet, Blackwater Estuary.
Digital. 35mm Summilux. August 2019.
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Digital. 35mm Summilux. August 2019.
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31 July, 2019
807
The card trick.
Digital. Q 28mm Summilux. July 2019.
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Digital. Q 28mm Summilux. July 2019.
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26 July, 2019
806
The blue houseboat behind some reeds.
Ilford HP5 at 400 in DD-X. 35mm Summicron. March 2019.
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Ilford HP5 at 400 in DD-X. 35mm Summicron. March 2019.
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17 July, 2019
805
Sea defences on the Blackwater estuary at Jaywick.
Ilford HP5 at 400 in DD-X. 35mm Summicron. January 2019.
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Ilford HP5 at 400 in DD-X. 35mm Summicron. January 2019.
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05 July, 2019
804
The camera used by Stanley Kubrick with a Zeiss f0.7 lens.
Digital, Q/Summilux 28mm. The Design Museum, London. June 2019.
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01 July, 2019
803
I went on a journey recently.
Yes, I can recommend the Stanley Kubrick exhibition at the Design Museum, London where I snapped this scene from 2001. Sorry, if you now have The Blue Danube Waltz playing in your head.
Digital, Q/Summilux 28mm. London. June 2019.
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Yes, I can recommend the Stanley Kubrick exhibition at the Design Museum, London where I snapped this scene from 2001. Sorry, if you now have The Blue Danube Waltz playing in your head.
Digital, Q/Summilux 28mm. London. June 2019.
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24 June, 2019
802
A gallery attendant and the artwork being attended.
Digital, DC Vario Summilux at about 50mm. South Bank, London. March 2019.
© John Banting
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Digital, DC Vario Summilux at about 50mm. South Bank, London. March 2019.
© John Banting
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