920

 

Frame 19 from the 36 exp roll of film shot on a late afternoon walk earlier this month.
Summicron 50mm, Ilford HP5 at 400. Bellini EuroHC 1+31. October 2021.
Image © John Banting 2021.
Nothing is real.
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919

 

This is frame 10 from the 36 exp roll of film shot on a walk earlier this month.
This couple walked a short distance, then stopped and looked at a phone, or some handheld device,
before walking a little further and stopping again to look at the device. They did this several times.
I wonder what it was.
Summicron 50mm, Ilford HP5 at 400. Bellini EuroHC 1+31. October 2021.
Image © John Banting 2021
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918

 

Monkey Beach, the garden building and the tree fallen onto the sand as shown in previous posts.
That is 6 of the first 7 frames from a 36 exp roll of film now posted, none of which would normally have been selected to post, but
I thought it might be interesting to show a frame a day from the roll of film. No, don't worry, I won't be posting all 36 frames.
Summicron 50mm, Ilford HP5 at 400. Bellini EuroHC 1+31. October 2021.
Image © John Banting 2021
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917

 

A garden building near to the foot of Monkey Beach steps gradually losing the battle with the wind and rain.
Summicron 50mm, Ilford HP5 at 400. Bellini EuroHC 1+31. October 2021.
Image © John Banting 2021
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916

 

Laminated signs in English and 3 other languages warning against illegal shellfish harvesting.
Summicron 50mm, Ilford HP5 at 400. Bellini EuroHC 1+31. October 2021.
Image © John Banting 2021
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915

 

From the same spot as the previous photograph, but looking up through the hedge and fallen tree on the beach towards Coast Road.
Summicron 50mm, Ilford HP5 at 400. Bellini EuroHC 1+31. October 2021.
Image © John Banting 2021
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914

 

A little further along the beach from the previous post.
Few people around, possibly because no one has any petrol to get here.
The tree which blew down onto the beach a year (or two?) ago is still growing.
Summicron 50mm, Ilford HP5 at 400. Bellini EuroHC 1+31. October 2021.
Image © John Banting 2021
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913

 

A walk along the beach after the rain had stopped to use or maybe waste some film.
Ilford HP5 at 400. Bellini EuroHC 1+31. October 2021.
Image © John Banting 2021
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912

 

I was processing the image for my previous post the other evening when these clouds caught my eye.
It has mostly been blue sky, blue sky with fluffy clouds or more often just heavy grey sky recently.
And the pigeon was nicely positioned as well.
Digital, 28mm Summicron. September 2021.
Image © John Banting 2021
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911

 

A hazy sunny morning back in April.
Ilford HP5 at 400. Bellini Eco (Xtol). 35mm Summicron. April 2021.
Image © John Banting 2021
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910

 

Some woodwork being replaced during a few days of low tides.
Ilford HP5 at 400. Bellini HC at dilution B, 1+31. 50mm Summicron. September 2021.
Image © John Banting 2021
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909

 

Following an online watercolour class.
This HC-110 developer replacemnt held the highlights nicely.
Ilford HP5 at 400. Bellini HC at dilution B, 1+31. 50mm Summicron. August 2021.
Image © John Banting 2021
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908

 

Just a little light drizzle, then a few seconds after this image a proper downpour.
So I didn't stay around to watch any of the Regatta - too wet and too crowded.
Digital. 50mm Summilux. August 2021.
Image © John Banting 2021
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907

 

A Thames Barge decked out for Regatta Day.
Row boats ready for the start of the "bag over your head" event.
Digital. 50mm Summilux. August 2021.
Image © John Banting 2021
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906

 

Computer visual aids.
Digital. 50mm Summilux. August 2021.
Image © John Banting 2021
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905

 

Repaint in progress.
Ilford HP5 at 400 in Bellini Eco (Xtol). 50mm Summicron. July 2021.
Image © John Banting 2021
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904

 

Steven on his boat Gypsy Rose.
Ilford HP5 at 400 in Bellini Eco (Xtol). 35mm Summicron. May 2021.
Image © John Banting 2021
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903

 

What looks like a battle between nature and a bungalow.
Nature gets my bet.
Ilford HP5 at 400 in Bellini Eco (Xtol) diluted 1:1.6 ish to use up what was left. 50mm Summicron. July 2021.
Image © John Banting 2021
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902

I didn't manage to capture the pouring rain with this handheld shot of about 1/4 second.
I had hoped to see people running up the road, but everyone wisely sheltered, so had to make do with the pickup truck.
Ilford HP5 at 400 in Bellini Eco (Xtol) diluted 1:1.6 ish to use up what was left. 50mm Summicron. July 2021.
Image © John Banting 2021
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901

 

Two of the boats removed from the marsh in May were towed to The Hard before going off to wherever boats go when they aren't boats anymore.
Wherever that is, they have gone there now.
Ilford HP5 at 400 in Bellini Eco (Xtol). 50mm Summicron. June 2021.
Image © John Banting 2021
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900

 

Following on from the previous post, HSL145 is still slowly falling apart next to the Lifeboat Station.
This was 2 weeks ago, and also shows the lifeboat being launched but only for a training session, fortunately.
Ilford HP5 at 400 in Bellini Eco (Xtol). 50mm Summicron. June 2021.
Image © John Banting 2021
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899

 

Next to the Lifeboat Station, HSL145 is still slowly falling apart.
This was 2 months ago, but I haven't checked recently.
Digital. 35mm Summicron. April 2021.
Image © John Banting 2021
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898

 

Some of the abandoned, or less seaworthy boats have been removed from the marsh just recently.
This image shows the last mooring line on 'Toujours' being cut so it can be towed away from the marsh on a high tide last week
Digital. 90mm Tele-Elmarit-M. May 2021.
Image © John Banting 2021
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897

 

The loom is now in the new shed.
35mm Summicron, Ilford HP5 at 400, Bellini Eco (XTOL). May 2021.
Image © John Banting 2021
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896

 

The National Museum of Photography Film and Television, Bradford.
Digital. A borrowed Canon S7 point and shoot with a zoom lens. 2004
Image © John Banting 2004
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895

 

Street art.
Digital. Sigma 18-50 zoom lens. Hoxton / Shoreditch area. September 2005
Image © John Banting 2005
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894

 

A day of wind, sunshine and showers, and here is the next hailstorm approaching.
Digital. Q/28mm Summilux. May 2021.
Image © John Banting 2021
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893

 

Another image that might have been taken in the late 1960s, but was photographed this morning.
I haven't seen a Renault 4 around for a long time. This one is French registered.
Ilford HP5 at 400, Bellini Eco (Xtol), 35mm Summicron. Coast Road, West Mersea.
Image © John Banting 2021
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892

 

York engine shed, sometime in 1968 approximately.
Ilford Sportsman 125 and Ilford FP3. Lots of retouching to remove dust and scratches.
Image © John Banting
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891

 

Sea mist along the estuary today. Digital. 35mm Summicron. April 2021.
Image © John Banting 2021
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Boxes and Bellows

890

 

The houseboat (right foreground) has been removed (demolished) and replaced. Unfortunately, I didn't get to photograph the removal/demolition.
Ilford Delta 400 at 800. Bellini Eco (Xtol). 35mm Summicron. February 2021.
Image © John Banting 2021
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889

 

Lockdown hairdressing.
Digital. 28mm Summicron. March 2021.
Image © John Banting 2021
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888

 

Lockdown photograph of someone by the light of the Google home page. Digital. 28mm Summicron. March 2021.
Image © John Banting 2021
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887

 

We had some nice clouds here as well the other day.
Digital. 21mm Voigtlander Color Skopar MC. March 2021.
Image © John Banting 2021
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Boxes and Bellows

886

 

Another frame from what seemed like a never ending roll of film.
Ilford Delta 400 at 800. Bellini Eco (XTOL), 35mm Summicron. January 2021.
Image © John Banting 2021
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885

 

Houseboats and sunset. From what seems like a never ending roll of film.
I finally managed to finish this film today. Started it on a dark early January day - hence rated at 800. Ilford Delta 400 at 800. Bellini Eco (XTOL), 35mm Summicron. January 2021.
Image © John Banting 2021
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884

 

The Old Lifeboat Station, West Mersea, photographed with almost the very last of the daylight.
Digital. 35mm Summicron. February 2021.
Image © John Banting 2021
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883

 

The Company Shed. Coast Road, West Mersea.
Digital. 35mm Summicron. Late afternoon, February 2021.
Image © John Banting 2021
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882

 

Gowen Ocean Sailmaker building, Coast Road, West Mersea.
Digital. 35mm Summicron. February 2021.
Image © John Banting 2021
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Boxes and Bellows

881

 

Looking across to Bradwell on a still January afternoon.
The high iso on this old digital camera looks a bit film like. Maybe.
Digital. 24mm equivalent on a Nikkor DX zoom. January 2021.
Image © John Banting 2021
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880

 

Just after the sun had disappeared behind the clouds the Shingle Bank makes a nice curve against the water.
Digital. 35mm Summicron. January 2021.
Image © John Banting 2021
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879

 

Houseboats on the Blackwater estuary, Essex.
Digital. 35mm Summicron. January 2021.
Image © John Banting 2021
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878

 

Three people follow the outgoing tide along a shingle bank.
Digital. Q/28mm Summilix. January 2021.
Image © John Banting 2021
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877

 

The low December sun just lights up the wet walkway through the marsh.
35mm Summicron. Ilford HP5 at 800. DD-X 1:4. December 2020.
Image © John Banting 2020
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876

 

Looking eastwards waiting for 2021 to arrive? Hmmm, probably not, since this was taken in November, but a nice thought.
35mm Summicron. Ilford HP5 at 1600. DD-X 1:4. From November 2020.
Image © John Banting 2020
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875

 

Some film, perhaps some inspiration and somewhere to store the results. I hope you had a happy holiday.
iPhone6. December 2020.
Image © John Banting 2020
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Boxes and Bellows

874

 

Approaching midday on the winter solstice - very dull and wet weather, like most of December seems to have been.
Digital. Q/28mm Summilux. December 2020.
Image © John Banting 2020
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873

 

The grown-ups throw stones at a mooring bouy while the rest of the group watch.
Ilford HP5 at 1600 in DD-X. 35mm Summicron. Mersea Island, November 2020.
Image © John Banting 2020
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Boxes and Bellows

872

 

Looking across to Cobmarsh Island from the shingle bank.
Ilford HP5 at 1600 in DD-X. 35mm Summicron. Mersea Island, November 2020.
Image © John Banting 2020
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Boxes and Bellows

871

 

The Company Shed, West Mersea, closed during Lockdown 2 and on a very dull day.
Ilford HP5 at 1600 in DD-X. 35mm Summicron. November 2020.
Image © John Banting 2020
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Boxes and Bellows